Tuesday, 15 July 2014

Jewish Museum - Vienna


Where: Innere Stadt, 1010 Vienna - Austria

What: Museum

When: 1993

Admission: Regular admission € 10,-
Reduced admission € 8,-
Students € 5,-
Children (18 and under) FREE
Group rate € 7,-
Guided tours € 40,- per group and hour
School classes Admissions free of charge, guided tour € 20,-

The building: The Jewish Museum of Vienna is located, nowadays, in the Palais Eskeles, owned by the jewish family Eskeles. Over the years Vienna had many different Jewish museums, in different locations. The first one, funded in 1895, was closed when the WWII started. The one active today, in the Palais Eskeles, was only established in 1993, its renovation was led by a Viennese team of architects called Eichinger oder Knechtl. The palais was in the Eskeles family since 1829, but it had other owners before. The museum displays the history of Jews in Vienna. 

Context: Vienna had the first Jewish museum in the world, founded in 1895 by the private “Society for the Collection and Conservation of the Art and Historical Monuments of Judaism”. The focus was to present the cultural influences of the Jews in the Viennese society, the collection focused in the history and culture of Jews in the Austro-Hungarian Empire, and had a vast range of Zionist objects. It was closed in 1938 by the Nazis, and the collection was transferred to different museums in Vienna.  From 1950 to 1990 some objects were returned to the Vienna Israelite Community (IKG), but many disappeared. All the objects now in the Palais Eskeles are on permanent loan from IKG. Only in 1986 a new museum was announced. The museum was founded in 1988 but only in 1993 it moved to Palais Eskeles.

The exhibition: The ground floor is reserved for their history from 1945 until the present, and the second floor, from ancient times until 1945. The first floor houses temporary exhibitions. There is also a third floor with many objects donated, they are part of the Jewish culture, there we can find candleholders, books, silver cups etc.  The permanent exhibition has a vast range of documents, but mainly letters. The temporary exhibition was about Jews in the IWW, and was a compilation of personal and official documents, from photos and letters to posters, medals and crowns. The exhibition was divided in many categories, trying to show the many faces of war. Each room depicts an aspect, there is “ugly faces of war”, “anti-Semitism”, “youth movement”, “women in war” and others. 

Personal impressions:  The temporary exhibition has a really dark design, the walls are dark blue, and the lights are low, there are not many colours, which gives a dramatic tone to the exhibition, and enhances the feeling of importance and respect for what you are seeing. What I thought was most interesting about the organization was that, although they want to impose the feeling of gravely, they tried also to show a part of war that wasn’t as tragic, as the youth movement and how women participated. The content is also really good; you can see how many things are related, not only with the WWI but also with the WWII.
What I found most interesting in the permanent exhibition was the part of Vienna before 1945. Many is said about the IIWW and its afterwards, but I never really had thought about the before. What I think is well shown in this exhibition is that, at least in Austria, Jews already suffered a lot of prejudice and persecution. The exhibition shows that there was a time of relative peace and good coexistence, but not exactly, after 1780 Jews had to pay a tolerance tax to stay in Vienna. They played an important role in Vienna’s history, but were never well accepted. Only in 1867 that they achieved equal civil rights, but there were always a feeling of Anti-Semitism. This is also shown in the temporary exhibition, there is a part that demonstrates how the Jews helped in the War but were never really accepted in the Viennese society. This part was really reviling for me, for that’s the society Hitler grew up, he was Austrian and they never had accepted Jews as a part of their society. I think that in both exhibitions show clearly that there were always great xenophobic actions from Austria, not only with Jews, but also with other groups, as the Armenians. This also kept me thinking why?

References:

http://en.wikipedia.org/wiki/Palais_Eskeles
http://archive.today/3zqIJ#


Begining of the permanent exhibition, before 1945

permanent exhibition, before 1945

permanent exhibition, before 1945

permanent exhibition, before 1945


permanent exhibition, before 1945
poster for the temporary exhibition, Jews in the WWI

entrance of the temporary exhibition, panels with war personalities and their history

temporary exhibition detail, patriotic badges produced for Jewish costumers and Franz Joseph I drawing



temporary exhibition room, "the ugly faces of war"

temporary exhibition detail, propaganda posters

temporary exhibition detail, injuries from war

temporary exhibition

temporary exhibition

temporary exhibition

temporary exhibition

temporary exhibition detail, newspapers compilations, guitar and testimonials video

temporary exhibition detail, map of the Armenian genocide (occured from 1915-1917)

temporary exhibition

temporary exhibition



temporary exhibition

temporary exhibition detail, war graves day appeal byt the comitee of War Grave Maintenance in Austria

temporary exhibition

Documentation Centre of the National Socialism (NS-Dokumentationszentrum) - Cologne


Where:  Appellhofplatz 23-25, D-50667 Cologne - Germany

What: Museum and memorial

When: 13th December 1979

Admission: Adults: 4,50 €
Concession: 2,00 €

The building: The NS-Documentationszentrum is located at the EL-DE house, in Cologne. The house is named after its first owner and founder Leopold Dahmen (L-D). It had residential and commercial use, he lived there with his family, and sold clocks and gold. In 1934 it had a major renovation, led by the German architect Hans Erberich, still with both commercial and residential use, it has a strictly neoclassical style. From 1947 to 1949 annexes were built, replacing the residential part of the house and the other house next to it, and also one floor was added in the entire building. In 1991 the Cologne City Council decided to transform the place in a museum and memorial, the Germans, Professor Peter Kulka, Konstantin Pichler and Professor Gerd Fleischmann worked together to design the exhibition. In 1997 the place was opened for the public. In 2009 and 2010 some other modifications were made, but mainly to update some data (it is also a research centre, so they had new findings and material), and to update the media stations, that still had the 1997 technology, and were outdated.

Context: The Documentation Centre of the National Socialism is located at EL-DE house, in Cologne, Germany. Is considered de largest regional memorial site in Germany. It is the former prison and headquarters of the Gestapo, which had been located in this place from 1935 until 1945. Nowadays it has a prison memorial, a museum and an educational centre. The place opened as a memorial in December of 1991, and is dedicated to remember the ones who died during the Nazi regime, to communicate and to research the National Socialism regime. Before being used by the Gestapo it had had commercial and residential use. Then the living space was turned into offices and the EL-DE house prison was installed on the upper basement level. The Gestapo chose this building mainly because of its location, close to the city centre, near the Police headquarters and the central prison.
During the time Gestapo used it, the house suffered many interventions, but after this period it remained almost untouched, at least until it was turned into a memorial and museum. The house was used by tenants again immediately after the end of the war, mostly by the City of Cologne (The Occupation Office, the Pricing Authority, the Office for Defence Expenses, the Registry, the Pension Office and the Legal and Insurance Authority had their offices there).
The house is still owned by the same family that had it before the war. In 2010, its  tenants were the NS Documentation Centre, the Legal and Insurance Office as well as the staff council of the Culture Department. The ground floor of the house used to host a gallery but became a part of the NS Documentation Centre by July 2012. The most significant changes were the refurbishments between 1993 and 1997 to accommodate the permanent exhibition ‘Cologne during National Socialism’ and the installation of the library, a meeting room as well as offices for the NS Documentation Centre. In 2009, two rooms on the ground floor were added to the entrance of the memorial and a multi-functional meeting room was created on the second floor, right behind the end of the exhibition. Once the ground floor premises of the building have been taken over, more refurbishments were necessary: The special exhibition space was moved and a pedagogical centre was created in its current space. The library was extended and the inner court as the former execution place was included in the memorial. It was only at the beginning of the 1980’s that the EL-DE House became a historically protected monument. 

The exhibition: The prison is really well kept, it still has the inscriptions of the prisoners who were kept there. Some cells and the corridor are filled with panels, both in English and German, that explains who were some of the people that were kept there, and some transcriptions of the walls inscriptions. The exhibition, on the upper floors consists of a range of panels explaining what happened in the EL-DE House during the National Socialism in Germany, it also has a lot of documents, not only in paper, but also audios and videos, displayed through the rooms. The exhibition is only in German. 

Personal impressions:
The prison is really well kept and it is quite big, but the ceiling is really low, which gives the feeling of enclosure. It is actually really impacting. The museum it self is really well organized and has a vast range of information, the three floors in which it is located are really big, and the panels give a great panorama of the time. The only problem with it was that this part is only in German, so many times you are not quite aware of what’s the message they are passing.  The whole building gives the impression that it hasn’t been touched after the war. The walls have an old look, like they were abandoned, which enhances the feeling of being in a historically important place. What kept me intrigued was why they only had English explanations for the memorial prison and not the permanent exhibition, I imagine that this has to do with what they want to remember the most, maybe is more important to remember the ones that were kept there and tortured. They weren't Jews but also suffered with the Nazi regime. 

References:





prison entry

prison entry

panels in one of the cells

prison plan


prison cell

prison cells

prison corridor

prison room

prison patio

prison former toilet

prison cell

prison basement

prison basement (torture corridor)

upstairs, permanent exhibition

permanent exhibition

permanent exhibition
exhibition detail (prisioners data)

exhibition detail (documents)

exhibition detail (video record)


exhibition room

exhibition room

exhibition corridor


Education centre
education centre detail (ceiling)


exhibition room

exhibition detail ( letters glued in the floor)

xhibition in annexed building

exhibition in the annexed building

exhibition in the annexed building




Monday, 14 July 2014

Anne Frank Huis - Amsterdam



Where: Prinsengracht 263-267, 1016 GV Amsterdam - Netherlands

What: Museum

When: 1960

Admission: Adults: euro 9
Age 10-17: euro 4,50
Age 0-9: free
European Youth Card: euro 4,50

The building: The building was built by Dirk van Delft in 1635. It had many uses before Otto Frank moved the office where he worked for to the place, in 1940. The main restoration took place from 1993 to 1999, and was led by the Dutch architecture office Benthem Crouwel Architects.

Context: The Anne Frank House is a well-known museum. It was the place in which Anne Frank, her family and four more people hid in the times of war, inside the so-called Secret Annexe. They had been there for two years until they where betrayed and arrested by the Dutch police.
The house is located in Prinsengracht 263 and was turned into a museum in 1960 with the help of Otto Frank, Anne Frank's father and only survivor of the Secret Annexe.  After the war the building was bought by a company that planned to demolish the whole block, what caused public commotion.  A campaign was carried out to preserve the house that was, then, donated by the company to the Anne Frank Foundation in 1957.  As the Anne Frank history became famous, so became the museum, and in 1970 a renovation was required. By then the museum had already almost 20000 visitors per year. The main problem was that people had to enter and exit by the same place, making the visit complicated. It was built a new balcony, plastering and flooring, and a passage was built from the Annexe, on top floor, to the street, making it a one-way system. Although it changed a bit the way people would perceive the space (it no longer caused a sensation of complete enclosure), this was necessary for maintaining it as a museum.
Another renovation took place in mid 1990’s, to better deal with the crescent number of visitors and to update the space. This renovation was not only for the interior of the house, but also the exterior. The goal was to completely reproduce the house as of it was in wartime. The front section of the house was reconstructed, and more renovation took place in the rest of the house. The Anne Frank room was redecorated, in order to resemble the way it was. The building attached to the museum, which already belonged to the Anne Frank Foundation, was also renovated – it was a student dormitory that was replaced by more exhibition rooms and museum facilities. There is still student housing located in the attached building, over the museum part, respective to an agreement the Foundation signed with the City Council and the University.

The exhibition: The visit starts in the side building, where you are guided towards the Secret Annexe. The walls are filled with photographs, documents and quotations from the ones who lived there and their helpers. The front part of the Prinsengracht 263, as well as the Secret Annexe don’t have any furniture, as this was a demand of Otto Frank, but there are two models of how the rooms looked like in wartime. The house itself is really well kept and it reproduces well the way it was supposed to be in the past. After leaving the Annexe you are taken to the exhibition, that has more videos, photographs and some personal belongings from the residents. Pages of the original diary are displayed. The visit ends with a compilation of testimonials from different kinds of people, between them Nelson Mandela and Natalie Portman, saying what they think about the Diary of Anne Frank. There is also a book shop with versions of the book in many different languages and a café. 

Personal impressions: The testimonials are really touching, especially Otto Frank’s video testimony. They are an important part of the exhibition, and play a large role in settling the mood of the exhibition, which is really heavy.
It is not permitted to take pictures inside the Anne Frank House as the museum say it is a place really touching for many visitors and taking photos would disturb, which seemed a good recommendation after you finish the visit. As the visit goes on, a growing mourning feeling seems to dominate the place, as visitors seems to get really touched by their experience in this house.
The Anne Frank House is probably more touching than many holocaust museums as it is more personal. You know who were the ones that lived there, their faces, names, and how they died. It offers a really intimate experience. The fact that it is the original location, and looks like it was in wartime also helps to create this kind of connection with the visitor.

References:


http://www.benthemcrouwel.nl/portal_presentation/museums/anne-frank-house

National Holocaust Museum (Hollandsche Schouwburg) – Amsterdam


Where: Plantage Middenlaan 24
1018 DE Amsterdam - Netherlands

What: Museum and memorial

Opened: 4th may 1962

Admission: free

The building: The memorial and museum is on an original site, the Jewish Theatre. The architect of the original building was C.A. Bombach, a Dutch architect, and a small company of operetta-actors. The building was established in 1892. In 1992 the place was renovated to become a museum and memorial, designed by the Dutch architect Leon Waterman.

Context: Hollandsche Schouwburg is a memorial located in the former Jewish neighbourhood of Amsterdam. It is devoted to the 104 000 Dutch Jews that were killed in the Second World War. Initially the place was a theatre of great importance for the area. When the war began it was transformed in the Jewish theatre.
It is important to notice that Amsterdam was a city with a big Jewish community, which some people even used to call “Jerusalem of the North”. When the time came, the Amsterdam city council, together with many others in the Netherlands, worked to map where the Jews where and how many they were. At first there was only segregation, the Hollandsche Schouwburg was converted in the Jewish Theatre, and its neighbourhood in the Jewish ghetto. Afterwards there was persecution. Between 1942 and 1943 the Nazi used it as a prison and deportation centre, for it was in a strategic point and easy to guard. People were send there and then to the Westerbork transit camp, in the Netherlands, and, as final destination, to concentration camps.
After the war people wouldn’t use the building as a theatre anymore. There were attempts of giving other uses to it, but a group of people, specially from the Jewish community wouldn’t want it to be forgotten what happen there. The Comité Hollandsche Schouwburg was founded, they rose founds and in 1950 they bought the building and donated it to the city of Amsterdam. There where many discussions about what to do with the building. Only in 1961 it was demolished, except for the front façade, and converted in a memorial, as designed by the architect Leon Waterman and inaugurated in 4th May 1962.
Exhibition: On the ground floor there is a memorial garden and a memorial chapel, with an eternal flame. The chapel has a black Wall of Remembrance, which has 6700 family names, in green, which represents the 104000 Jews that were killed during the WWII.  The first floor consists of a permanent exhibition about the persecution against Jews in Amsterdam between 1940 and 1945, with many personal objects, letters and pictures.

Personal impressions: The place is not big, but serves its purpose well. The exhibition is well organized, but all the explanation is in Dutch, which makes it complicated for outsiders to really connect and understand what is represented. There is a paper with English explanations, but it doesn’t cover every part of the exhibition. There is a video, on the ground floor, with testimonials of the few ones who survived, with the option in English or in Dutch. The video is really interesting, and revealing. The chapel is really touching and beautiful.
One thing that really got into me was realising how involved the Dutch government was in the holocaust, as I didn’t know they were so involved with the Nazi. After I went to the memorial I notice in some pamphlet that there is a Jewish touristic “route” in Amsterdam, so you can trace their history, unfortunately I just discovery this when I was leaving Amsterdam, and didn’t have time to visit it.

References:
DUINDAM, D., 2011. The Hollandsche Schouwburg as a lieu de mémoire. Ph.D.-project, University of Amsterdam.



http://www.dutchamsterdam.nl/751-amsterdam-hollandsche-schouwburg-war-memorial



 
national holocaust museum
facade


national holocaust museum
facade
national holocaust museum
memorial chapel
national holocaust museum
eternal flame
national holocaust museum
family names

national holocaust museum
exhibiton floor

national holocaus museum
exhibition floor

national holocaust museum
exhibition floor
national holocaust museum
exhibition detail (map with the location of the Jews)

national holocaust museum
exhibition detail
national holocaust museum
exhibition floor
national holocaust museum
exhibition detail


national holocaust museum
back of the museum, where the theatre was (audience and stage)
national holocaust museum
childrens letters

national holocaust museum
back of the museum and children letters





national holocaust museum
back of the museum, theatre