Monday, 14 July 2014

Anne Frank Huis - Amsterdam



Where: Prinsengracht 263-267, 1016 GV Amsterdam - Netherlands

What: Museum

When: 1960

Admission: Adults: euro 9
Age 10-17: euro 4,50
Age 0-9: free
European Youth Card: euro 4,50

The building: The building was built by Dirk van Delft in 1635. It had many uses before Otto Frank moved the office where he worked for to the place, in 1940. The main restoration took place from 1993 to 1999, and was led by the Dutch architecture office Benthem Crouwel Architects.

Context: The Anne Frank House is a well-known museum. It was the place in which Anne Frank, her family and four more people hid in the times of war, inside the so-called Secret Annexe. They had been there for two years until they where betrayed and arrested by the Dutch police.
The house is located in Prinsengracht 263 and was turned into a museum in 1960 with the help of Otto Frank, Anne Frank's father and only survivor of the Secret Annexe.  After the war the building was bought by a company that planned to demolish the whole block, what caused public commotion.  A campaign was carried out to preserve the house that was, then, donated by the company to the Anne Frank Foundation in 1957.  As the Anne Frank history became famous, so became the museum, and in 1970 a renovation was required. By then the museum had already almost 20000 visitors per year. The main problem was that people had to enter and exit by the same place, making the visit complicated. It was built a new balcony, plastering and flooring, and a passage was built from the Annexe, on top floor, to the street, making it a one-way system. Although it changed a bit the way people would perceive the space (it no longer caused a sensation of complete enclosure), this was necessary for maintaining it as a museum.
Another renovation took place in mid 1990’s, to better deal with the crescent number of visitors and to update the space. This renovation was not only for the interior of the house, but also the exterior. The goal was to completely reproduce the house as of it was in wartime. The front section of the house was reconstructed, and more renovation took place in the rest of the house. The Anne Frank room was redecorated, in order to resemble the way it was. The building attached to the museum, which already belonged to the Anne Frank Foundation, was also renovated – it was a student dormitory that was replaced by more exhibition rooms and museum facilities. There is still student housing located in the attached building, over the museum part, respective to an agreement the Foundation signed with the City Council and the University.

The exhibition: The visit starts in the side building, where you are guided towards the Secret Annexe. The walls are filled with photographs, documents and quotations from the ones who lived there and their helpers. The front part of the Prinsengracht 263, as well as the Secret Annexe don’t have any furniture, as this was a demand of Otto Frank, but there are two models of how the rooms looked like in wartime. The house itself is really well kept and it reproduces well the way it was supposed to be in the past. After leaving the Annexe you are taken to the exhibition, that has more videos, photographs and some personal belongings from the residents. Pages of the original diary are displayed. The visit ends with a compilation of testimonials from different kinds of people, between them Nelson Mandela and Natalie Portman, saying what they think about the Diary of Anne Frank. There is also a book shop with versions of the book in many different languages and a café. 

Personal impressions: The testimonials are really touching, especially Otto Frank’s video testimony. They are an important part of the exhibition, and play a large role in settling the mood of the exhibition, which is really heavy.
It is not permitted to take pictures inside the Anne Frank House as the museum say it is a place really touching for many visitors and taking photos would disturb, which seemed a good recommendation after you finish the visit. As the visit goes on, a growing mourning feeling seems to dominate the place, as visitors seems to get really touched by their experience in this house.
The Anne Frank House is probably more touching than many holocaust museums as it is more personal. You know who were the ones that lived there, their faces, names, and how they died. It offers a really intimate experience. The fact that it is the original location, and looks like it was in wartime also helps to create this kind of connection with the visitor.

References:


http://www.benthemcrouwel.nl/portal_presentation/museums/anne-frank-house

National Holocaust Museum (Hollandsche Schouwburg) – Amsterdam


Where: Plantage Middenlaan 24
1018 DE Amsterdam - Netherlands

What: Museum and memorial

Opened: 4th may 1962

Admission: free

The building: The memorial and museum is on an original site, the Jewish Theatre. The architect of the original building was C.A. Bombach, a Dutch architect, and a small company of operetta-actors. The building was established in 1892. In 1992 the place was renovated to become a museum and memorial, designed by the Dutch architect Leon Waterman.

Context: Hollandsche Schouwburg is a memorial located in the former Jewish neighbourhood of Amsterdam. It is devoted to the 104 000 Dutch Jews that were killed in the Second World War. Initially the place was a theatre of great importance for the area. When the war began it was transformed in the Jewish theatre.
It is important to notice that Amsterdam was a city with a big Jewish community, which some people even used to call “Jerusalem of the North”. When the time came, the Amsterdam city council, together with many others in the Netherlands, worked to map where the Jews where and how many they were. At first there was only segregation, the Hollandsche Schouwburg was converted in the Jewish Theatre, and its neighbourhood in the Jewish ghetto. Afterwards there was persecution. Between 1942 and 1943 the Nazi used it as a prison and deportation centre, for it was in a strategic point and easy to guard. People were send there and then to the Westerbork transit camp, in the Netherlands, and, as final destination, to concentration camps.
After the war people wouldn’t use the building as a theatre anymore. There were attempts of giving other uses to it, but a group of people, specially from the Jewish community wouldn’t want it to be forgotten what happen there. The Comité Hollandsche Schouwburg was founded, they rose founds and in 1950 they bought the building and donated it to the city of Amsterdam. There where many discussions about what to do with the building. Only in 1961 it was demolished, except for the front façade, and converted in a memorial, as designed by the architect Leon Waterman and inaugurated in 4th May 1962.
Exhibition: On the ground floor there is a memorial garden and a memorial chapel, with an eternal flame. The chapel has a black Wall of Remembrance, which has 6700 family names, in green, which represents the 104000 Jews that were killed during the WWII.  The first floor consists of a permanent exhibition about the persecution against Jews in Amsterdam between 1940 and 1945, with many personal objects, letters and pictures.

Personal impressions: The place is not big, but serves its purpose well. The exhibition is well organized, but all the explanation is in Dutch, which makes it complicated for outsiders to really connect and understand what is represented. There is a paper with English explanations, but it doesn’t cover every part of the exhibition. There is a video, on the ground floor, with testimonials of the few ones who survived, with the option in English or in Dutch. The video is really interesting, and revealing. The chapel is really touching and beautiful.
One thing that really got into me was realising how involved the Dutch government was in the holocaust, as I didn’t know they were so involved with the Nazi. After I went to the memorial I notice in some pamphlet that there is a Jewish touristic “route” in Amsterdam, so you can trace their history, unfortunately I just discovery this when I was leaving Amsterdam, and didn’t have time to visit it.

References:
DUINDAM, D., 2011. The Hollandsche Schouwburg as a lieu de mémoire. Ph.D.-project, University of Amsterdam.



http://www.dutchamsterdam.nl/751-amsterdam-hollandsche-schouwburg-war-memorial



 
national holocaust museum
facade


national holocaust museum
facade
national holocaust museum
memorial chapel
national holocaust museum
eternal flame
national holocaust museum
family names

national holocaust museum
exhibiton floor

national holocaus museum
exhibition floor

national holocaust museum
exhibition floor
national holocaust museum
exhibition detail (map with the location of the Jews)

national holocaust museum
exhibition detail
national holocaust museum
exhibition floor
national holocaust museum
exhibition detail


national holocaust museum
back of the museum, where the theatre was (audience and stage)
national holocaust museum
childrens letters

national holocaust museum
back of the museum and children letters





national holocaust museum
back of the museum, theatre

Sunday, 29 June 2014

Why


This blog was created to record my participation in the research project about Architecture and Memory, of Professor Ana Souto, at Nottingham Trent University. My role is to research museums and memorials around Europe that are about the First and the Second World War, and to analyse how they deal with this memories.